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Andrew Haigh (I)


Andrew Haigh was born on March 7, 1973 in Harrogate, North Yorkshire, England. He is a director and producer, known for 45 Years (2015), Weekend (2011) and Looking (2014). See full bio »

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How Much Have You Seen?

How much of Andrew Haigh's work have you seen?

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19 wins & 25 nominations. See more awards »

Known For

45 Years
45 Years Director
(2015)
Weekend
Weekend Director
(2011)
Looking
Looking Director
(2014-2015)

Filmography

Hide Hide Show Show Director (11 credits)
 2019 The North Water (TV Mini-Series) (5 episodes) (announced)
- Episode #1.4 (2019)
- Episode #1.3 (2019)
- Episode #1.2 (2019)
- Episode #1.1 (2019)
 2017 Lean on Pete
 2016 Looking: The Movie (TV Movie)
 2014-2015 Looking (TV Series) (10 episodes)
- Looking for Home (2015)
 2015 45 Years
 2011/II Weekend
 2009 Greek Pete
 2009 Five Miles Out (Short)
 2005 Cahuenga Blvd (Short)
 2005 Markings (Short)
 2003 Oil (Short)
Show Show Producer (4 credits)
Show Show Writer (11 credits)
Show Show Editorial department (14 credits)
Show Show Editor (5 credits)
Show Show Second Unit Director or Assistant Director (2 credits)
Show Show Cinematographer (1 credit)
Show Show Production manager (1 credit)
Show Show Miscellaneous Crew (1 credit)
Show Show Thanks (3 credits)
Show Show Self (3 credits)

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Personal Details

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Did You Know?

Personal Quote:

[on shooting Weekend (2011)] We decided to shoot on the Canon 5D Mark II stills camera, kitting it out with cinema lenses. We shot handheld but with a rig to keep the camera steady. The reasons for choosing the camera was partly financial but it certainly has a beautiful look if it is used properly. With my cinematographer, Urszula Pontikos, we devised a very firm set of ideas of how to make the ... See more »

Trivia:

Shot his first feature Greek Pete (2009) himself on an inexpensive HD camera for a micro budget of about £ 5000. His second feature Weekend (2011) had a low budget of £ 100000 to £ 120000 and was shot primarily using a Canon 5D Mark II, with outdoor scenes shot on a Sony PMW-EX3, because of its zoom lens. Both films were completed in a fully digital workflow. See more »

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