It’s a decidedly gloomy result for the tentpole, which had been forecast by the studio just prior to the weekend to open in the $110 million range. Instead, “Justice League” is launching with only the eighth largest opening of 2017. It’s not even in the top 50 domestic openings of all time.
The second biggest shock is that, despite the opening monologue, the “Family Feud” sketch, and some Weekend Update, this year’s Thanksgiving episode is not tied down to the concept of being a Thanksgiving episode.
The costly superhero tentpole is ahead of the international opening weekends for Warner’s “Wonder Woman” and Disney-Marvel’s “Thor: Ragnarok.” In China, where “Justice League” screened at 20,500 screens, the film took in 65% of grosses from the top five films and scored the second biggest debut for a Warners title after last year’s “Batman v Superman: Dawn of Justice.”
“Justice League” ranked first in 10 other Asian markets with $41.2 million as the second highest Warner Bros. launch after “Dawn of Justice” while Latin America region contributed $35.4 million for the third highest Warner opening after “Dawn of Justice” and the final Harry Potter movie. Results from Europe topped “Wonder Woman” and were slightly behind “Thor: Ragnarok.”
Brazil was the top individual market after China with $14.2 million on 1,580 screens and set a record
The Times -- which first reported that six women, including Olivia Munn and Natasha Henstridge, claim that Ratner sexually harassed and assaulted them -- reported on new claims against Ratner and revealed that longtime friend Russell Simmons allegedly engaged in inappropriate behavior with the director and producer.
One woman, Keri Claussen Khalighi, claims that when she was a 17-year-old fashion model she met Ratner, then an up-and-coming music...
You don't get to play God — not once, much less twice — without the requisite gravitas, a sense of authority that is innate and unshakable under any circumstances. And despite having played pimps, prisoners, killers, Old West outlaws and others of undistinguished station, in addition to presidents and gentlemen of notable stripe, Morgan Freeman, who will receive the Screen Actors Guild Life Achievement Award at the Jan. 21 ceremony, always has embodied and projected just that: a sense of connate gravitas that he carries with him from role to role. Almost invariably, he centers any film in which...
As with nearly episode so far this year,
Alongside SNL's Kenan Thompson and Chris Redd, the trio – dubbed De-Von-Tre, a nod to groups like Bell Biv DeVoe and Jodeci – capture the look, sound and vibe of early Nineties R&B, right down to the free-flowing suits and spoken word interludes.
"Every night, I turn the TV on and cry / I say why, I feel like we're all gonna die / So come back,
The fact that Superman has to come back from the dead in order to be humanized in dire superhero blockbuster Justice League says a lot about the film's misconceived combination of Frank Miller Lite-style gloominess, and co-screenwriter (and fill-in director) Joss Whedon's signature quippy humor. This film, like so many other stories involving Superman, only details its creators' myopic inability to effectively convey the optimism that Superman personifies.
Justice League is, at heart, toxically cynical, even if it does ultimately conclude — not counting its second post-credits sequence — on a shaky note of optimism. In the film, paranoid millionaire...
The film had been set for a Dec. 1 release in India. Related company, Paramount Pictures was recently announced as handle the worldwide distribution, in a day-and-date date release, coordinated with the outing in India.
While announcing a “voluntary deferment” of the film’s release, Viacom18 said that it had faith in legal process. And that it expected to announce a new date soon.
The business assets were acquired by Thomas Anargyros, who is the CEO of EuropaCorp Television. Anargyros has been heading EuropaCorp’s TV division since its launch in 2010, when his production banner, Cipango, was acquired by EuropaCorp. Anargyros had founded Cipango with Edouard de Vesinne, who became deputy CEO of EuropaCorp in 2016 and was ousted in September.
The sale of the French TV business fits into EuropaCorp’s scaled-back strategy to focus on fewer films and English-language series, as well as cut overhead. EuropaCorp said the sale will allow the company to reduce its overhead by about 2.5 million euros ($2.9 million) and 3 million euros ($3.5 million) per year.
A week ago, Marc Shmuger, who was hired on a renewable six-month contract in 2016, announced he would be stepping down as CEO of EuropaCorp at the end of
Helou’s story is at the heart of “A Comedian in a Syrian Tragedy,” a documentary by director Rami Farah being pitched at Idfa Forum. An intimate portrait of exile, the pic spans four years as Farah and Helou leave Syria and struggle to rebuild their lives in France.
The French-Danish-Norwegian-Jordanian co-prod is produced by Lyana Saleh, of Osor; Signe Byrge Sørensen, of Final Cut for Real; Anita Rehoff Larsen, of Sant & Usant; and Cindy Le Templier, of Shashat Multimedia Productions.
When the first demonstrations against President Bashar al-Assad began in 2011, Farah found himself with the challenging task of trying to document the very protests he was taking part in.
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