Midshipman Roger Byam joins Captain Bligh and Fletcher Christian aboard HMS Bounty for a voyage to Tahiti. Bligh proves to be a brutal tyrant and, after six pleasant months on Tahiti, ... See full summary »
A cavalcade of English life from New Year's Eve 1899 until 1933 seen through the eyes of well-to-do Londoners Jane and Robert Marryot. Amongst events touching their family are the Boer War,... See full summary »
Berlin's plushest, most expensive hotel is the setting where in the words of Dr. Otternschlag "People come, people go. Nothing ever happens.". The doctor is usually drunk so he missed the fact that Baron von Geigern is broke and trying to steal eccentric dancer Grusinskaya's pearls. He ends up stealing her heart instead. Powerful German businessman Preysing brow beats Kringelein, one of his company's lowly bookkeepers but it is the terminally ill Kringelein who holds all the cards in the end. Meanwhile, the Baron also steals the heart of Preysing's mistress, Flaemmchen, but she doesn't end up with either one of them in the end... Written by
Gary Jackson <firstname.lastname@example.org>
Author and playwright Vicki Baum based "Menschen im Hotel" both on a true story about a scandal at a hotel involving a stenographer and an industrial magnate, and on her own experiences working as a chambermaid at two well-known Berlin hotels. See more »
When Grusinskaya returns from her second performance, she and her entourage board the left elevator, and the porters carrying her flowers board the right. When they come off the elevator, the porters and flowers are on the same elevator as Grusinskaya. See more »
A true classic with a brand new formula -the all star cast
The idea of a multi-level story peopled by an all star cast was brand new with this feature which deservedly won an Oscar for Best Picture though it received no other nominations. Garbo is marvelous as the world-weary ballerina who finds ill-fated romance and John Barrymore is perfect as the suave Baron. The brilliant supporting performances of a young, fresh Joan Crawford as Flaemchen, the stenographer, and Lionel Barrymore as the dying Kringelein deserved Oscars but the category hadn't been invented yet. The cast works together superbly and the direction moves along at a good pace, giving us both romance and drama in equal doses. The script is excellent and MGM's production values are quite fine. Truly a film classic and a must-see.
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