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Bullitt (1968)

An all guts, no glory San Francisco cop becomes determined to find the underworld kingpin that killed the witness in his protection.

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(screenplay) (as Alan R. Trustman), (screenplay) | 1 more credit »
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Won 1 Oscar. Another 6 wins & 9 nominations. See more awards »

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Cast

Cast overview, first billed only:
...
...
...
...
...
Weissberg
...
...
...
Justin Tarr ...
Carl Reindel ...
Felice Orlandi ...
Renick
...
Pete Ross (as Victor Tayback)
...
1st Aide
...
Westcott
Pat Renella ...
John Ross
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Storyline

High profile San Francisco Police Lieutenant Frank Bullitt is asked personally by ambitious Walter Chalmers, who is in town to hold a US Senate subcommittee hearing on organized crime, to guard Johnny Ross, a Chicago based mobster who is about to turn evidence against the organization at the hearing. Chalmers wants Ross' safety at all cost, or else Bullitt will pay the consequences. Bullitt and his team of Sergeant Delgetti and Detective Carl Stanton have Ross in protective custody for 48 hours over the weekend until Ross provides his testimony that upcoming Monday. Bullitt's immediate superior, Captain Samuel Bennet, gives Bullitt full authority to lead the case, no questions asked for any move Bullitt makes. When an incident occurs early during their watch, Bullitt is certain that Ross and/or Chalmers are not telling them the full story to protect Ross properly. Without telling Bennet or an incensed Chalmers, Bullitt clandestinely moves Ross while he tries to find out who is after ... Written by Huggo

Plot Summary | Plot Synopsis

Taglines:

"BULLITT comes to this theatre soon. That ought to shake up the place pretty good. Not many freaky cops like BULLITT around. You look at the Italian shoes and the turtleneck and you have to wonder. You listen to the official beefs about 'personal misconduct', 'disruptive influence', you figure he's got to be up for trade. But when some rare Chicago blood starts spilling in San Francisco, they give BULLITT the mop. They weren't exactly doing him a favour. But they've done a great big one for you" See more »


Certificate:

M/PG | See all certifications »

Parents Guide:

 »
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Details

Country:

Language:

Release Date:

17 October 1968 (USA)  »

Also Known As:

Bullit  »

Box Office

Budget:

$5,500,000 (estimated)

Gross:

$42,300,873 (USA)
 »

Company Credits

Production Co:

 »
Show detailed on  »

Technical Specs

Runtime:

Sound Mix:

Color:

(Technicolor)

Aspect Ratio:

1.85 : 1
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Did You Know?

Trivia

Pay close attention during the car chase at Steve McQueen's reflection in the mirror. If you look at his mouth, you'll see that he's indulging in popular habit among race car drivers: He's chewing gum. See more »

Goofs

When Bullitt leaves the hospital, taking Ross' body to the morgue, he is still dressed in the clothes he wore when he responded to the shooting the night before: brown cardigan over a light blue shirt. Very next scene, when he pulls up and parks the Mustang, steals the newspaper, visits local grocery, he is now wearing the trench coat over the trademark green sport coat and blue turtleneck, BEFORE he goes home, showers and is seen changing into these very same clothes for the remainder of the film. See more »

Quotes

[Bullitt and Delgetti have searched the luggage of Dorothy Simmons and her boyfriend]
Delgetti: No passports, no tickets.
Bullitt: Call Immigration in Chicago, have them wire Rennick's passport application, I'll get a fingerprint check on Ross.
See more »

Connections

Referenced in S.W.A.T. (2003) See more »

Soundtracks

The First Snowfall
(uncredited)
Written by Sonny Burke and Paul Francis Webster
See more »

Frequently Asked Questions

See more (Spoiler Alert!) »

User Reviews

 
A Not-to-be Missed Thriller
29 May 2005 | by (United States) – See all my reviews

Bullitt is an extraordinary film, memorable, powerful, and absolutely riveting. The plot has twists and turns that are believable and lack any pretense of being forced or artificial. Justly heralded for its tremendous car chase--a tribute to legendary driver Bill Hickman, arguably the finest of all motion picture drivers--the film as well captures the feel of gritty detective work in a form that has been copied frequently since, but rarely, if ever, equaled. The film is a delight as a period piece: the easy-going, already laid-back Bay area culture of the late 1960's and early 1970's, the tension between the cool, vaguely anti-establishment Bullitt and the straight-laced local officials and department heads that he finds himself compelled to work with. The other actors are themselves a superb supporting cast: old-timers like Simon Oakland, Norman Fell, an oily (and vaguely Bobby Kennedy-ish) Robert Vaughn, and Don Gordon (as Bullitt's long-suffering but intensely loyal partner). But, as well, there are memorable newcomers: George Sanford Brown as an overworked doctor, Robert Duvall as a sharp taxi driver, and Jacqueline Bisset as Bullitt's trophy architect-girlfriend. Lalo Schifrin contributed a superb, memorable score--just the right mix of jazz and brass and percussion. And, of course, that glorious Mustang. . . .!!! Not to be missed!!!!!


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