Police detective Joe Leland investigates the murder of a homosexual man. While investigating, he discovers links to official corruption in New York City in this drama that delves into a world of sex and drugs.
Tony Rome, a tough Miami PI living on a houseboat, is hired by a local millionaire to find jewelry stolen from his daughter, and in the process has several encounters with local hoods as well as the Miami Beach PD.
Jill St. John,
Montmartre, 1896: the Can-Can, the dance in which the women lift their skirts, is forbidden. Nevertheless Simone has it performed every day in her night club. Her employees use their female... See full summary »
Ad-agency president Dan Edwards who, when he goes to Mexico to celebrate his nineteenth wedding anniversary, winds up getting divorced by mistake - whereupon his wife Valerie marries his ... See full summary »
Sam Laker is an American industrialist, working in Britain, who has just been awarded an international award for industrial design. He is planning to travel to East Germany to attend a ... See full summary »
Sidney J. Furie
Police detective Joe Leland investigates the murder of a homosexual man. While investigating, he discovers links to official corruption in New York City in this drama that delves into a world of sex and drugs. Written by
Regis M. Donovan <firstname.lastname@example.org>
Frank Sinatra was supposed to co-star with his wife Mia Farrow in this film, but a film Farrow was working on was running behind schedule, so she refused. Sinatra got so mad he made the film without her (casting Jacqueline Bisset in the role instead) and served her divorce papers on the set of that film, Rosemary's Baby (1968). See more »
In the credits, the last name of the character played by William Windom is spelled "MacIver". But on the envelope containing his taped confession, Dr. Roberts has spelled it "McIver". See more »
Forty years on, it's all too easy to pick holes in the naïve depiction of gays in this movie. Given its otherwise honest and sometimes brutal portrayal, I'm quite sure it was dictated, at least in part, by what the producers thought could be shown without alienating the majority who might watch.
Aforementioned aside, this is a gritty, adult story of an intelligent, upright cop battling marriage problems and a sleazy murder, in addition to the bigots and small minds in his own department.
Frank Sinatra, in one of his best roles, plays the world-weary lead with deceptive ease, ably backed by a good script and fine supporting cast, including Lee Remick (one of my favourite actresses) as his soon-to-be ex-wife, battling problems of her own, dealt with in flashbacks (again, probably simplistically, but at least with some style and intelligence); and Lloyd Bochner as the doctor with the high-price clientele and secrets he'd rather not share. Not to mention an outstanding (and sadly forgotten) theme by Jerry Goldsmith.
Yes, it's very sixties, but it's *good* sixties; and in the best traditions of film noir too. All in all, it reminds me of a quote from Lee Remick herself: "I make movies for grownups. When Hollywood starts making them again, I'll start acting in them again".
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