5.5/10
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46 user 18 critic

City Heat (1984)

A slick private eye and tough police lieutenant--once partners, now bitter enemies--reluctantly team up to investigate a murder.

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(story) (as Sam O. Brown), (as Sam O. Brown) | 1 more credit »
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1 nomination. See more awards »

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Cast

Cast overview, first billed only:
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Ginny Lee
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Dehl Swift
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Leon Coll
...
Lonnie Ash
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Troy Roker
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Nino
Jude Farese ...
...
Fat Freddy
Jack Thibeau ...
Garage Soldier
...
Counterman Louie
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Storyline

Kansas City in the 1930s: private investigator Mike Murphy's partner is brutally murdered when he tries to blackmail a mobster with his secret accounting records. When a rival gang boss goes after the missing records, ex-policeman Murphy is forced to team up again with his ex-partner Lieutenant Speer, even though they can't stand each other, to fight both gangs before KC erupts in a mob war. Written by Tom Zoerner <Tom.Zoerner@informatik.uni-erlangen.de>

Plot Summary | Plot Synopsis

Taglines:

When a hotshot cop and a wise-guy detective get together... the heat is on! See more »

Genres:

Action | Comedy | Crime

Certificate:

PG | See all certifications »

Parents Guide:

 »
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Details

Country:

Language:

Release Date:

7 December 1984 (USA)  »

Also Known As:

Kansas City Heat  »

Filming Locations:

 »

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Box Office

Budget:

$25,000,000 (estimated)

Opening Weekend USA:

$6,301,694, 9 December 1984, Wide Release

Gross USA:

$38,348,988
See more on IMDbPro »

Company Credits

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Technical Specs

Runtime:

| (Blu-ray Edition)

Sound Mix:

Color:

(Technicolor)

Aspect Ratio:

1.85 : 1
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Did You Know?

Trivia

In the late 1950's (25 years before they starred together in this film), Clint Eastwood and Burt Reynolds were contract players at Universal Pictures. They were both fired on the same day, by the same director. Eastwood was fired because the director didn't want to use him because (reports vary) his Adam's Apple was too big and/or he had a visible wart on his upper lip. Reynolds was fired after pushing the director into a water tank in an argument over how to do a fall stunt. See more »

Goofs

In the scene where Spear gets into a shoot-out with the thug in the hallway and stairwell, he shoots the thug a total of eight times, all in the upper chest area. However, later when he and Murphy are examining the bodies in the morgue, there is an overhead shot of the same thug and he has no upper chest wounds of any kind. See more »

Quotes

Caroline Howley: [Speer and Murphy have just rescued her from kidnappers] Well, it's about time!
See more »

Connections

Features Horse Feathers (1932) See more »

Soundtracks

Embraceable You
Music by George Gershwin
Lyrics by Ira Gershwin
Sung by Irene Cara
See more »

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User Reviews

 
Shocking what Prohibition causes some people to drink these days.
13 April 2015 | by See all my reviews

The weight of expectation for City Heat was massive, two iconic Hollywood actors together in a buddy buddy cop movie, one with nods and homages to film noir and old school gangster movies, it wasn't unreasonable to expect a movie to sit with the best on Clint Eastwood and Burt Reynold's then CV's circa 1984. Unfortunately it's no masterpiece or close to being in the upper echelon's of each actor's respective works. But that doesn't make it a bad film.

A change of director saw Blake Edwards replaced by Richard Benjamin after Eastwood and Edwards, ahem, couldn't see eye to eye, so that immediately put the film on the back foot in many critic's eyes. Ironically Benjamin does OK - working from Edwards' script (there's a whole bunch of back stories and tittle-tattle assigned to this film if you care to search for it). Lots of fun here, though, as Clint and Burt, one a cop, the other an ex-cop turned PI, reluctantly team up to cut a swathe through the gangsters ruling the roost in prohibition era Kansas City.

Eastwood does his straight backed machismo act, throwing awesome punches along the way, while Reynolds is wonderfully cheerful as a tough guy who all things considered, would rather not get hurt! The script is full of zingers, delivered with customary sardonic self parody by the stars, while the roll call of supporting actors is not to be sniffed at. Period detail is high end, with Nick McLean's photography carrying the requisite neo-noir impact, while the music tracking is pleasingly nostalgic.

It's over the top of course and needlessly convoluted as per its yearning to be noirish, yet if you can cut back your expectation levels? And you can simply enjoy the sight of Eastwood and Reynolds having fun romping in this period? Then you just might enjoy this more than you dared to believe. 7/10


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