When John travels to Paris to attend an art sale hosted by his old flame, he begins a torrid affair with a gorgeous woman (Angie Everhart) who used to be her best friend. As the erotic ... See full summary »
Agathe de La Fontaine,
Blue is a teenage girl who lives with her Jazz playing father Ham. Ham gets very sick and dies, and now Blue must support herself somehow. Elle, the headmistress at a brothel, talks her ... See full summary »
A psychiatrist moves out west after he is brought up on charges of sexual misconduct, for which his adoring, female attorney eventually gets the charges dropped... with the hope that this ... See full summary »
Anthony Michael Hall
Emily, a raw recruit to a law firm is sent to Brazil with Claudia to help finalise a real estate deal. Emily is innocent and vulnerable, and when she's left in Rio with Wheeler, a milionaire with an unusual outlook on life, Emily is shocked and intrigued by the sex antics to which she is exposed. Written by
The taxicab seen when Emily and her entourage arrive is a 1980s-era Brasil-market Chevrolet Opala (a derivative of the German Opel Rekord C sold in Europe c. 1966-71), manufactured by GM do Brasil. See more »
In the end, when Wheeler and Emily ride off on the Harley, Wheeler is wearing a leather vest in some shots, and a long sleeved leather jacket in others. See more »
Why do I get the feeIing that... if I reach out and touch you, you'll disappear?
Why don't you try it and see?
[Emily puts her arms around him and he moves away slightly]
I'm sorry. It's not you. It's me... I'm just not... very good at being touched, Emily.
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There is more, I think, to this film than most people give it credit for. Sure, it's full of sex and naked people, but it also manages to be erotic and sensual at the same time. It's certainly not the commercialized absurdity that you'll find late night on certain premium channels. More than that, though, is that it's a decent psychological study of a man who's completely divorced himself from reality. Like so many celebs of our time, money and success has allowed him to distance himself from whatever parts of reality that make him uncomfortable. Emily's naive and honest approach manages to reach him. His speech near the end, before the final 'scene,' is really impressive, and Mikey really is a great actor. Sure, Ms. Otis leaves something to be desired, but she's working in a role where her lack of comfort helps the part. Emily is out of her element, just is the actress playing her is, and even if this makes her transparent, it also makes her believable. Jaqueline Bisset is wonderful as always. All in all, if you watch this film without fast forwarding from sex scene to sex scene, you'll see a fairly human story mixed with a sexual journey that I think Zora Neale Hurston would have appreciated.
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