6.5/10
14,500
55 user 39 critic

Jungle Fever (1991)

R | | Drama, Romance | 7 June 1991 (USA)
Friends and family of a married black architect react in different ways to his affair with an Italian secretary.

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6 wins & 8 nominations. See more awards »

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Cast

Cast overview, first billed only:
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Vivian
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Orin Goode
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Vera
Veronica Timbers ...
David Dundara ...
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Storyline

A successful and married black man contemplates having an affair with a white girl from work. He's quite rightly worried that the racial difference would make an already taboo relationship even worse. Written by Murray Chapman <muzzle@cs.uq.oz.au>

Plot Summary | Plot Synopsis

Genres:

Drama | Romance

Motion Picture Rating (MPAA)

Rated R for sensuality, strong language, drug content, and for violence | See all certifications »

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Details

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Release Date:

7 June 1991 (USA)  »

Also Known As:

A Febre da Selva  »

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Box Office

Budget:

$14,000,000 (estimated)

Gross USA:

$32,482,682
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1.85 : 1
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Did You Know?

Trivia

Debi Mazar tells her boyfriend in the car that she wants to listen to Madonna. Mazar is a longtime friend of Madonna's, having been her make-up artist before getting into acting, and later appeared in a few of her videos including "Papa Don't Preach", "True Blue" and "Music". Mazar also threw Madonna her bridal shower, prior to her marriage to Sean Penn. See more »

Goofs

Cameraman's shadow on Flipper when he is telling Cyrus he cheated on Drew See more »

Quotes

Lou Carbone: You hate your own father!
Paulie Carbone: I'd like to kill you, but I don't hate you.
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Crazy Credits

Certain lyrics to the end song move across the screen during the credits See more »

Connections

Referenced in Inside the Actors Studio: Episode #7.6 (2000) See more »

Soundtracks

Hello, Young Lovers
Written by Richard Rodgers and Oscar Hammerstein II
Courtesy of Williamson Music, ASCAP
Performed by Frank Sinatra
Courtesy of Reprise Records
by arrangement with Warner Special Products
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User Reviews

Fitfully interesting but lacks a strong point and doesn't hang together all that well
18 December 2006 | by See all my reviews

Flipper Purify is a successful architect with a beautiful wife and a smart young daughter back at his apartment. When he gets a new temp in to work alongside him he is not pleased that she is white but her hard work impresses him. Working late one night, chatting becomes a connection which becomes flirting which becomes sex. Their affair continues even as Flipper quits his job to branch out alone. However his life is thrown into chaos when his wife Drew finds out.

The opening credits are catchy and the material is just the sort of racial issue that Spike Lee made his name but somehow the film itself really failed to catch my imagination or hold my attention. The central plot is simple enough but Lee fills it out with characters, debate and a couple of subplots but yet somehow doesn't manage to pull it all together into one compelling film. Of course those that like Spike Lee know that even when he is at his most average he can still make an interesting film. And so it is here because the film does have plenty of interesting scenes but it is the narrative and formulation of his point where it fails to come off. In his defence Lee has written some convincingly real characters with unfortunately real attitudes but by leaving these people mostly unchallenged to deliver their opinions he allows two things to happen. Firstly the film feels like a series of disjointed conversations – most of which are interesting enough to listen to but don't a total film make.

Secondly, and more importantly, Lee appears to be in agreement with some of his characters that mixed race relationships are not a good idea. If this is not his opinion then he has done a poor job in putting his thoughts across. If he is in agreement then he has done a poor job in presenting this point in a coherent and convincing fashion. Instead it seems like the racists have won – which is maybe is his point but if so yet again he hasn't done a good job of putting it across. In fact thinking about it, his point probably is that it all isn't worth the effort but, like I say, it isn't very well delivered and a lot of the ideas are half-cooked. The cast make it well worth a look regardless thanks to Lee's usual skill in assembling his actors. Snipes has massively fallen from grace in regards his career and his personal life but here he is pretty good. The material is just a little beyond his range but he does the basics well. Sciorra is better and works well with him. Lee is Lee while McKee is rather wasted with her simplistic race rage. Quinn is a nice touch in support while Turturro is as good as I have come to expect from him. Davis and Dee are good but they exist in another film, albeit the drugs subplot is interesting and both Jackson and Berry are impressive but it doesn't really fit. Lee's direction is his usual style but his use of soundtrack is weak – the tunes themselves are good but he doesn't put them across the film with any reason or sense of meaning.

Overall then an fitfully interesting film as is usually the way with Lee but one that failed to come together or deliver a convincing central message. The depressing message that does come across isn't that well made and as a result isn't as thought provoking as it should have been. The casting is interesting though and the performances mostly do as required in the many good individual scenes. Famous but not as good as the names attached would make you hope.


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