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Fargo (1996)

Jerry Lundegaard's inept crime falls apart due to his and his henchmen's bungling and the persistent police work of the quite pregnant Marge Gunderson.

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458 ( 12)

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Cast

Cast overview, first billed only:
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...
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Kristin Rudrüd ...
...
...
...
Irate Customer
Sally Wingert ...
Irate Customer's Wife
Kurt Schweickhardt ...
Car Salesman
Larissa Kokernot ...
...
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Shep Proudfoot (as Steven Reevis)
...
Steve Edelman ...
Morning Show Host
Sharon Anderson ...
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Storyline

Jerry works in his father-in-law's car dealership and has gotten himself in financial problems. He tries various schemes to come up with money needed for a reason that is never really explained. It has to be assumed that his huge embezzlement of money from the dealership is about to be discovered by father-in-law. When all else falls through, plans he set in motion earlier for two men to kidnap his wife for ransom to be paid by her wealthy father (who doesn't seem to have the time of day for son-in-law). From the moment of the kidnapping, things go wrong and what was supposed to be a non-violent affair turns bloody with more blood added by the minute. Jerry is upset at the bloodshed, which turns loose a pregnant sheriff from Brainerd, MN who is tenacious in attempting to solve the three murders in her jurisdiction. Written by Anonymous

Plot Summary | Plot Synopsis

Taglines:

A homespun murder story. See more »

Genres:

Crime | Drama | Thriller

Motion Picture Rating (MPAA)

Rated R for strong violence, language and sexuality | See all certifications »

Parents Guide:

 »
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Details

Official Sites:

Country:

|

Language:

Release Date:

5 April 1996 (USA)  »

Also Known As:

Фарго  »

Box Office

Budget:

$7,000,000 (estimated)

Opening Weekend:

$137,301 (USA) (19 July 1996)

Gross:

$24,611,975 (USA)
 »

Company Credits

Show detailed on  »

Technical Specs

Runtime:

Sound Mix:

Color:

Aspect Ratio:

1.85 : 1
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Did You Know?

Trivia

William H. Macy begged the directors for the role of Jerry Lundegaard. He did two readings for the part, and became convinced he was the best man for the role. When the Coens didn't get back to him, he flew to New York (where they were starting production) and said, "I'm very, very worried that you are going to screw up this movie by giving this role to somebody else. It's my role, and I'll shoot your dogs if you don't give it to me." He was joking, of course. See more »

Goofs

While driving, the shots of Gaear show him in a cloud of cigarette smoke. When the shots switch to Carl, there's no smoke at all. See more »

Quotes

[first lines]
Jerry Lundegaard: I'm, uh, Jerry Lundegaard.
Carl Showalter: You're Jerry Lundegaard?
Jerry Lundegaard: Ya. Shep Proudfoot said...
Carl Showalter: Shep said you'd be here at 7:30. What gives, man?
Jerry Lundegaard: Shep said 8:30.
Carl Showalter: We've been sitting here an hour. He's
[motioning to Gaer]
Carl Showalter: peed three times already.
Jerry Lundegaard: I'm sure sorry. Shep told me 8:30. It was a mix-up, I guess.
See more »

Crazy Credits

A symbol similar to the Artist Formerly Known as Prince is in the credits as "victim in field", but it is not him, it is J. Todd Anderson, the storyboard artist. See more »

Connections

Referenced in Chelsea Lately: Episode #8.71 (2014) See more »

Soundtracks

Johnny's Theme
Written by Paul Anka and Johnny Carson
'The Tonight Show Starring Johnny Carson' Audio Supplied Courtesy of Carson Productions Group
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Frequently Asked Questions

See more (Spoiler Alert!) »

User Reviews

 
A masterpiece of Shakesperean proportions
11 November 2004 | by (Vancouver, Canada) – See all my reviews

I've always thought Fargo would make a great Shakesperean play; you could alter the modern elements and still have created a buzz 400 years ago in suburban England. Indeed, the plot is similar to Hamlet's, in that they both have characters we root for who create zany plans than end up spinning wildly out of control into bloodshed. Many people seem to like Fargo for its humorous qualities, its characterization of the Minnesotan culture and Frances McDormand- not me. I love Fargo for its brilliant writing, its tragic musical score, its tragic plot, William H Macy, Harve Presnell and Steve Buscemi, its ignorance of political correctness (how many movies can you remember when the only two minority characters were both revealed to be creeps).I want to draw attention to an overlooked reason why the film works so well - how well the music suits the visuals in this movie. Each murder scene is scored superbly, and other audio clues really add to the effect (for instance, notice how when the police officer asks Carl Showalter "What's this?" in reference to the abductee, a disquieting guitar sound is immediately played that has an instantaneous psychological effect on how you interpret the scene). I have seen this film over, well, an embarrassing number of times and have committed its screenplay, from start to finish, by memory. Fargo is the ultimate Coen Brothers movie, a brilliant tragedy, and restores my faith in Roger Ebert as he places this movie in as his fourth favorite movie of the '90s.


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