7.7/10
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Fear and Loathing in Las Vegas (1998)

An oddball journalist and his psychopathic lawyer travel to Las Vegas for a series of psychedelic escapades.

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(book), (screenplay) | 3 more credits »
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1 win & 3 nominations. See more awards »

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Cast

Cast overview, first billed only:
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Michael Lee Gogin ...
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Brian Le Baron ...
Parking Attendant (as Brian LeBaron)
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Tyde Kierney ...
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Ransom Gates ...
...
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Storyline

The big-screen version of Hunter S. Thompson's seminal psychedelic classic about his road trip across Western America as he and his large Samoan lawyer searched desperately for the "American dream"... they were helped in large part by the huge amount of drugs and alcohol kept in their convertible, The Red Shark. Written by Laurence Mixson

Plot Summary | Plot Synopsis

Taglines:

If there was a trip to be taken, they were there (Australian) See more »


Motion Picture Rating (MPAA)

Rated R for pervasive extreme drug use and related bizarre behavior, strong language, and brief nudity | See all certifications »

Parents Guide:

 »
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Details

Country:

Language:

Release Date:

22 May 1998 (USA)  »

Also Known As:

Angst und Schrecken in Las Vegas  »

Box Office

Budget:

$18,500,000 (estimated)

Opening Weekend:

$4,335,095 (USA) (25 May 1998)

Gross:

$10,680,275 (USA) (6 June 2013)
 »

Company Credits

Show detailed on  »

Technical Specs

Runtime:

Sound Mix:

| |

Color:

Aspect Ratio:

2.35 : 1
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Did You Know?

Trivia

Hunter S. Thompson had previously been portrayed by Johnny Depp's Ed Wood (1994) co-star Bill Murray in Where The Buffalo Roam (1980). Prior to filming, Murray called Depp with the advice "Be careful, or you'll find yourself ten years from now still doing him...Make sure your next role is some drastically different guy." See more »

Goofs

In a few shots taking place in the Chevy's interior, you can see the car has white vinyl door panels from a 1973 or 74 Impala (or Caprice convertible), while the main "Red Shark" is actually a 1971 Impala convertible. The Impala had slightly different door panels for 71/72 than the 73/74, but was essentially the same car overall. Apparently another car was fixed up for use in the movie as a backup or secondary vehicle and used for some shots from the inside. See more »

Quotes

[first lines]
Raoul Duke: [narrating] We were somewhere around Barstow, on the edge of the desert, when the drugs began to take hold. I remember saying something like:
Raoul Duke: I feel a bit lightheaded. Maybe you should drive.
Raoul Duke: [narrating] Suddenly, there was a terrible roar all around us, and the sky was full of what looked like huge bats, all swooping and screeching and diving around the car, and a voice was screaming:
Raoul Duke: Holy Jesus. What are these goddamn animals?
[swatting the air]
Raoul Duke: Huh! Huh! Huh! Fucking pigs.
Dr. Gonzo: Did you ...
[...]
See more »

Crazy Credits

The Ralph Steadman drawings from the book are put in with the credits, along with the Gonzo & Duke in the Red Shark picture that takes up the whole screen at the end. See more »

Connections

Follows Where the Buffalo Roam (1980) See more »

Soundtracks

Mama Told Me Not To Come
Written by Randy Newman
Published by Unichappell Music, Inc.
Performed by Three Dog Night
Courtesy of MCA Records
Under license from Universal Music Special Markets
See more »

Frequently Asked Questions

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User Reviews

 
The hitchhiker bailed early, I should have too!
16 February 1999 | by (San Diego, CA) – See all my reviews

When the hitchhiker bailed out of the convertible early on, I wondered if it wasn't so much to get away from the two doped-out characters or to escape the agony of watching this movie for another hour and forty minutes.

I really could not see what the point of this movie was. It looks like it was to see how stoned the main characters could get on various controlled substances, how stupid they could act and how much property damage they could inflict in the process.

I would have liked to see the two main characters be sober for part of the movie to compare and contrast their thoughts, feelings, and behavior between when they were high and when they were sober.


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