7.3/10
65,546
124 user 163 critic

Paris, je t'aime (2006)

Through the neighborhoods of Paris, love is veiled, revealed, imitated, sucked dry, reinvented and awakened.

Writers:

(original idea), (concept) | 31 more credits »
Reviews
Popularity
4,694 ( 42)

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From $2.99 (SD) on Amazon Video

ON DISC
3 wins & 1 nomination. See more awards »

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Cast

Cast overview, first billed only:
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Julie Bataille ...
Julie (segment "Tuileries")
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Suzanne (segment "Place des Victoires")
Seydou Boro ...
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Le touriste (segment "Tuileries")
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Cyril Descours ...
Lionel Dray ...
Ken (segment "Quartier des Enfants Rouges")
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Marianne (segment "Le Marais")
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Le père (segment "Place des Victoires")
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Storyline

Paris, je t'aime is about the plurality of cinema in one mythic location: Paris, the City of Love. Twenty filmmakers have five minutes each; the audience must weave a single narrative out of twenty moments. The 20 moments are fused by transitional interstitial sequences and also via the introduction and epilogue. Each transition begins with the last shot of the previous film and ends with the first shot of the following film, extending the enchantment and the emotion of the previous segment, preparing the audience for a surprise, and providing a cohesive atmosphere. There's a reappearing mysterious character who is a witness to the Parisian life. A common theme of Paris and love fuses all. Written by Emmanuel Benbihy

Plot Summary | Plot Synopsis

Taglines:

One City. 10 Millions Hearts. One Love Story. One Film. See more »

Genres:

Comedy | Drama | Romance

Motion Picture Rating (MPAA)

Rated R for language and brief drug use | See all certifications »

Parents Guide:

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Details

Language:

| | | |

Release Date:

15 June 2007 (USA)  »

Also Known As:

Paris, je t'aime  »

Box Office

Budget:

$13,000,000 (estimated)

Opening Weekend:

$39,242 (USA) (6 May 2007)

Gross:

$4,857,376 (USA) (5 August 2007)
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Company Credits

Show detailed on  »

Technical Specs

Runtime:

Sound Mix:

Aspect Ratio:

1.85 : 1
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Did You Know?

Trivia

Alexander Payne wrote the role of Carol specifically for Margo Martindale. See more »

Goofs

In "Bastille", when Marie-Christine receives Sergio's text message, you can see the text cursor blinking. This shows that the text was actually written on Marie-Christine's phone. See more »

Quotes

Fanny Forestier: [in French] Kiss me on impulse! Surprise me!
Bob Leander: Me, me, me, me! You always want your feelings understood! But mine are childish! Sex isn't disgusting unless you make it disgusting! There can be beauty in this place too!
Fanny Forestier: [in French] Not what I call beauty!
Bob Leander: I need a little help! You don't know what it's like for a man when it's all gone! I can't feel anything anymore!
Fanny Forestier: [slaps him] Do you feel *that*?
Bob Leander: [turning to the stripper] What do you charge to watch an argument?
See more »

Connections

Referenced in Siskel & Ebert: The Best of 2007 (2007) See more »

Soundtracks

Skate Rap
Written by Martin Quenehen
(P) 2006 Victoires International
(C) 2006 Emma Productions
Segment "Porte de Choisy"
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User Reviews

 
The bizarre and beautiful language of love...
24 June 2006 | by (Minneapolis, MN) – See all my reviews

Although I live in Minnesota, I have been studying in France lately and came across this bizarre gem of a film.

This movie was amazing, to say the least. A creative and unique film, the different directors each lent something different to their interpretation of love in the City of Light. The first instinct is to attempt to fit each one of these little stories into an overall storyline, much as can be done with 2003's Love Actually. This attempt, however, renders the magic of each individual segment obsolete. When taken at face value, with each of the short segments taken as its own individual film, the love stories together tell a beautiful message.

The film is strikingly bizarre at times -- often to the point of confusion -- and each individual segment can be hard to follow. Still, to a watcher who pays close attention to each of the segments, the short plot lines become clear after a short time. The confusion is almost intriguing; it keeps you on the edge of your seat waiting for what will come next. It leaves the viewer wondering "Did that really just happen?" yet also leaves them satisfied that it did, indeed, occur. It's the kind of movie where the viewer, upon leaving the theater, can't actually decide whether they loved it or they hated it. The initial reaction is to go and watch it again and again, just to see these individual lives blend together into a cinematic masterpiece.

The interesting decision to make the movie multilingual adds something to the spectrum of people who can relate. It adds to the reality of the film -- here, the American tourists speak English, the Parisians French, and so on. The number of people that the film encompasses leads to an understanding of the international language of love.

From sickness to the supernatural, the love of parents to the love of husbands, this film covers all the bases of romantic storytelling. In its beautiful and quirky way, each unique event somehow falls into place to tell a story: that of all types, sizes, nationalities, and shapes of love.


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