In rural Texas, welder and hunter Llewelyn Moss (Josh Brolin) discovers the remains of several drug runners who have all killed each other in an exchange gone violently wrong. Rather than report the discovery to the police, Moss decides to simply take the two million dollars present for himself. This puts the psychopathic killer, Anton Chigurh (Javier Bardem), on his trail as he dispassionately murders nearly every rival, bystander and even employer in his pursuit of his quarry and the money. As Moss desperately attempts to keep one step ahead, the blood from this hunt begins to flow behind him with relentlessly growing intensity as Chigurh closes in. Meanwhile, the laconic Sheriff Ed Tom Bell (Tommy Lee Jones) blithely oversees the investigation even as he struggles to face the sheer enormity of the crimes he is attempting to thwart. Written by
Kenneth Chisholm (firstname.lastname@example.org)
To date, the Coen Brothers movie with the longest runtime (122 minutes), as well as the only Coen Brothers movie to exceed two hours in length. See more »
Moss takes great pains to ensure the concealment of the money before he knew there was a transponder inside it. He is shown doing this by hiding the case inside a ventilation shaft at the Motel in Del Rio and pushing it as far back as possible with the closet rod, and then all the way to the left. Later, Moss gets another room opposite the one he was in--room 38 is behind room 138--and pulls the case from the wrong side. If he was in fact pulling the case from the right side from the second room as shown, the two rooms would have been only the width of the case apart. As it is, the ventilation shaft is in the center of the motel rooms, so since Moss originally had put the case on the far left of the ventilation shaft to the first room, then he would have only been able to grab it from the left side, not the right side, in the second room which was on the opposite side of the building. See more »
Ed Tom Bell:
I was sheriff of this county when I was twenty-five years old. Hard to believe. My grandfather was a lawman; father too. Me and him was sheriffs at the same time; him up in Plano and me out here. I think he's pretty proud of that. I know I was. Some of the old time sheriffs never even wore a gun. A lotta folks find that hard to believe. Jim Scarborough'd never carried one; that's the younger Jim. Gaston Boykins wouldn't wear one up in Comanche County. I always liked to hear about ...
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I don't remember being so scared in a movie theater since "Don't Look Now" Here the Coen Brothers take everything a step further with exhilarating ease. The terror was genuine and not because we were rooting for Josh Brolin or anybody in particular. The terror was personal, Joel and Ethan Coen made that terror visceral and tangible. It has to do with our own nightmares. Josh Brolin was a perfect piece of casting because in a way he doesn't have many personal colors. He's one of the bunch, one of us and we could put ourselves in his shoes. That is the art of film narrative expressed in a way that we've never experienced before. I heard people old enough to have seen Hitchcock's "Psycho" in the theaters and what glued them to the screen was their own fear. Well, that's what I've experienced here. Javier Bardem is superb, considering that he's the reason for the fear. He carries a human/inhuman kind of strength and we know he'll get us, sooner or later and if we consider the ending of the film, he might still do. Worthy Oscar winners, all of it and all of them.
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