The story of Frank Abagnale Jr., before his 19th birthday, successfully forged millions of dollars' worth of checks while posing as a Pan Am pilot, a doctor, and legal prosecutor as a seasoned and dedicated FBI agent pursues him.
Eight years after the Joker's reign of anarchy, Batman, with the help of the enigmatic Catwoman, is forced from his exile to save Gotham City, now on the edge of total annihilation, from the brutal guerrilla terrorist Bane.
Jordan Belfort is a Long Island penny stockbroker who served 22 months in prison for defrauding investors in a massive 1990s securities scam that involved widespread corruption on Wall Street and in the corporate banking world, including shoe designer Steve Madden. Written by
Jordan Belfort's real-life business partner was actually named Danny Porush, not Donnie Azoff. Porush threatened to sue Paramount Pictures if he was depicted in this film. See more »
The candles that Jordan sets up on top of the mantle "to help with the fire" were already there in the previous shot. See more »
Yep, on a daily basis I consume enough drugs to sedate Manhattan, Long Island and Queens - for a month. I take Quaaludes 10-15 times a day for my "bag pain". Adderall to stay focused. Senax to take the edge off. Pot to mellow me out. Cocaine to wake me back-up. And morphine, well... because it's awesome. But of all the drugs under God's blue heaven, here is one that is my absolute favourite. See, enough of this shit will make you invincible - able to concur the world. And eviscerate your ...
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The film opens with a Stratton Oakmont advertisement hosted by Jordan Belfort. The film title appears only at the ending. See more »
Brilliantly acted, superbly written and as one would expect from a picture by Martin Scorsese, it is a masterclass of directorial craft.
Showy when it needs to be, but also quiet and contemplative. "The Wolf of Wall Street" is the equivalent of something like "Good Fellas" or even more so "Casino" but set in the world of finance. The suits might be more expensive but the people who wear them are just as sick and violent as their street-mob counterparts. Sardonic in humor and unflinching in showing the depravity of its characters, it marks somewhat of a different approach to the world of stock-trading than Oliver Stone's "Wall Street".
Where Stone seems more in line with Bertold Brecht who considered theater (or in this case film) a moral institution, does Scorsese take the position of the omnipresent observer of the dark side of the American and in many cases the human dream.
Leonard DiCaprio gives another stellar performance of great intensity and even greater tragedy while this tale of corruption, greed and self-righteousness unfolds.
It's a vast panorama that shows how during the last twenty-five to thirty years gullibility as well as our innate greed make all of us accomplices in this never-ending pyramid scheme far away from any reality.
One could almost hear Scorsese's clerical background come to the fore again, according to which nobody is without sin, and therefore we are all susceptible to corruption.
It is our decision on which side we choose to live that makes the difference. For every individual but also society as a whole.
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