| Humberto Zurita | ... | Comandante Trujillo | |
| Plutarco Haza | ... | Prefecto Dominguez | |
| Emilio Guerrero | ... | Jefe Salazar | |
| Irene Azuela | ... | Isabel | |
| Ricardo Polanco | ... | Victor Zepeda | |
| Moises Arizmendi | ... | Cabo Montoya | |
| Julio Bracho | ... | Prof. Magaña | |
| Blanca Guerra | ... | Guadalupe Calva | |
| Juan Carlos Barreto | ... | Sr. Zepeda | |
| rest of cast listed alphabetically: | |||
| Damayanti Quintanar | ... | Brenda | |
Directed by | |||
| Mario Muñoz | |||
Writing credits(in alphabetical order) | ||
| Mario Muñoz | writer | |
| Angel Pulido | writer | |
Produced by | |||
| Marcela de Alba | .... | producer: Mandaraka Estudios (stop motion segment) | |
| Raymundo Díaz-González | .... | executive producer | |
| Walter Navas | .... | producer | |
| Roberto Jurado Rebora | .... | producer: Mandaraka Estudios (stop motion segment) | |
Original Music by | |||
| Federico Bonasso | |||
Cinematography by | |||
| Serguei Saldívar Tanaka | |||
Film Editing by | |||
| Jorge García | |||
Casting by | |||
| Manuel Teil | |||
Set Decoration by | |||
| Ocatvio Martinez | |||
Costume Design by | |||
| Marylin Fitoussi | |||
Makeup Department | |||
| Nury Alamo | .... | assistant makeup artist | |
| Francesca Dalla Benetta | .... | special makeup effects artist | |
| Roberto Ortiz | .... | makeup artist | |
Production Management | |||
| Rodrigo Calderon | .... | unit production manager | |
| Carlos A. Morales | .... | post-production supervisor | |
Second Unit Director or Assistant Director | |||
| Juan Obregon | .... | assistant director | |
Art Department | |||
| Felix Barbosa | .... | miniature construction | |
Sound Department | |||
| Raul Atondo | .... | sound re-recording mixer | |
| Paul Bidault | .... | sound editor | |
| Eric Dounce | .... | sound designer | |
| Jeronimo Gorraez | .... | foley artist | |
| Jeronimo Gorraez | .... | sound effects editor | |
| Enrique Greiner | .... | sound designer | |
| Enrique Greiner | .... | sound re-recording mixer | |
| Paulina Louvier | .... | sound post-production coordinator | |
Visual Effects by | |||
| Misael Barbosa | .... | 3d model artist (segment) | |
| Guillermo Dupinet Bours | .... | pre-vis character animator (segment) | |
| Samuel Reyes | .... | compositor: Mandaraka Estudios | |
| Samuel Reyes | .... | rotoscoper: Mandaraka Estudios | |
Animation Department | |||
| René Castillo | .... | animation director | |
| Samuel Mendez Martinez | .... | stop-motion animator: Mandaraka Estudios | |
| Samuel Reyes | .... | additional animator | |
Editorial Department | |||
| Adriana Martínez | .... | assistant editor | |
| Jessica Valencia | .... | post-production assistant | |
Music Department | |||
| Diego Edgar Arias Gutiérrez | .... | music coordinator | |
| Herminio Gutiérrez | .... | music supervisor | |
Thanks | |||
| Marla Guedimin López Pimentel | .... | special thanks | |
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| Full cast and crew | Company credits | External reviews |
| News articles | IMDb Mystery section | IMDb Mexico section |
| Add this title to MyMovies |
Mexican cinema has never been known for its ventures into genre. Generally we are accustomed to the heavy socially oriented drama that reminds the rest of the world of the low capacities of this country. This was the old school, but it reigned for more than 5 decades. I am pleased to gather that this no longer reflects the present and the future of cinema in this country.
Bajo la sal, or Under the salt, is a compelling, if somewhat predictable slightly clichéd thriller that was premiered last night at the Morelia International Film Festival, and I had the pleasure to be at the red carpet. The director was there, along several actors and the screenwriter , they seemed quite surprised of the highly wide reception the film had with audiences.
Although the film is not without its problems, it worked. Humberto Zurita, a legend in Mexico, stars as a police detective who is now investigating a series of murders in a far town whose main trade is salt mines. The film explores the plots, lies and secrets a small town carries under its grass, a lá Blue Velvet.
One of the most interesting things about the movie are a set of dreamlike animations with dolls, that reflect the broken mind of the teenager who works at the funeral home. These set pieces will give something to talk about among moviegoers.
Overall, a nice effort, not the best thriller ever, perhaps in terms of Mexican cinema it is a milestone, but bot for the genre. Let us hope we are watching the first in a row of interesting, different and more daring Mexican cinema that is already at the door.