5.7/10
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Sans arme, ni haine, ni violence (2008)

Albert Spaggiari is arrested in Nice and brought to a judge's office for interrogation, but he escapes to South America where he meets a journalist who is investigating the event.

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(scenario and dialogue), (scenario and dialogue) | 1 more credit »
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Cast

Cast overview, first billed only:
...
Albert Spaggiari
...
Julia
...
Vincent Goumard
Maxime Leroux ...
'68'
Patrick Bosso ...
Le truand #1
...
La femme flic
Renan Carteaux ...
Renaud
...
Le commissaire Dréant
...
NHI
Denis Braccini ...
Le truand #2
Arsène Mosca ...
Le Targui
Eric Fraticelli ...
Le truand #3
Éric Frey ...
Le juge Bouaziz
Florence Loiret Caille ...
Nathalie Goumard (as Florence Loiret-Caille)
Timothé Riquet ...
Bastien Goumard
Edit

Storyline

Albert Spaggiari is arrested in Nice and brought to a judge's office for interrogation, but he escapes to South America where he meets a journalist who is investigating the event.

Plot Summary | Plot Synopsis

Genres:

Biography | Crime | Drama

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Details

Country:

Language:

Release Date:

16 April 2008 (France)  »

Also Known As:

Sem Armas, Sem Ódio e Sem Violência  »

Company Credits

Production Co:

, ,  »
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Technical Specs

Runtime:

Sound Mix:

|

Color:

Aspect Ratio:

2.35 : 1
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Did You Know?

Connections

Version of The Great Riviera Bank Robbery (1979) See more »

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User Reviews

 
Without weapons, hatred, or violence
16 August 2009 | by See all my reviews

Albert Spaggiari, the infamous man responsible for one of the biggest bank heists of the last century, is at the center of this story. Although the actual robbery is seen briefly, it made the man famous for stealing from an institution not likely to have been robbed.

We come to the story as Vincent Goumard, a free lance journalist makes contact with Spaggiari's men under the pretext of an interview with the notorious bandit, now living in a South American country, not unlike Brazil, but not identified by name. Unknown to Spaggiari, or his associates, Goumard was acting with the police and the idea was to kidnap him and return him to France for justice.

The problem with the film, directed by Jean-Paul Rouve, is that it never makes up its mind whether to be a comedy, or a thriller. Mr. Rouve makes the mistake of other actors in trying to act and direct. Perhaps a better film would have resulted with another man in charge. As an actor, Mr. Rouve does not convince. When all is set and done, nothing new comes out about the caper.


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