Follows the lives of five interconnected couples as they experience the thrills and surprises of having a baby, and realize that no matter what you plan for, life does not always deliver what is expected.
Five couples' intertwined lives are turned upside down by the challenges of impending parenthood. Over the moon about starting a family, TV fitness guru Jules and dance show star Evan find that their high-octane celebrity lives don't stand a chance against the surprise demands of pregnancy. Baby-crazy author and advocate Wendy gets a taste of her own militant mommy advice when pregnancy hormones ravage her body; while Wendy's husband, Gary, struggles not to be outdone by his competitive alpha-Dad, who's expecting twins with his much younger trophy wife, Skyler. Photographer Holly is prepared to travel the globe to adopt a child, but her husband Alex isn't so sure, and tries to quiet his panic by attending a "dudes" support group, where new fathers get to tell it like it really is. And rival food truck chefs Rosie and Marco's surprise hook-up results in an unexpected quandary: what to do when your first child comes before your first date? Written by
What to Expect When You're Expecting can be classified in the "self-help books turned into horrible films" category (along with He's Just Not That Into You), but it can also fit into the "multiple Hollywood stars trapped into a horrible film" category (along with New Year's Eve and He's Just Not That Into You). Nevertheless, the niche isn't very important, because the result is the same: a pathetic movie with many famous actors but a deplorable screenplay. So, this tedious adaptation fails on every single level: as a comedy, it's completely unfunny; and it doesn't respect the spirit of the book on which it was based, because it doesn't offer any advice or inspiration to the future mothers (with one exception: "pretty people also suffer").
In previous occasions, when Hollywood took books to the big screen, they were novels, comics or biographies...something with a story, characters, chronological flow, or similar elements of narrative art. However, "money calls money", so any successful book is currently susceptible to be adapted into a movie. The book What to Expect When You're Expecting has sold millions of copies, and it's been very useful for many families to face the difficulties of pregnancy (at least that's what I have been told). On the other hand, the film What to Expect When You're Expecting is a rehash of melodramatic clichés and romantic comedy formulas structured in a series of situation with a bad shape and null rhythm. The result is a film full of insipid dialogues and synthetic sentimentality which only provokes yawns.
I honestly can't find any positive element in What to Expect When You're Expecting, but at the same time, I admit the fact that I have a biological disadvantage and I can't evaluate the film from the point of view of someone who has lived (or is living) pregnancy. Who knows? The screenplay I found intolerable might hide valuable observations and amusing references to moms and future moms who might feel themselves identified with the characters of this film (after all, Cameron Diaz, Jennifer Lopez and Brooklyn Decker are faithful reflections of the average woman, right?). But from my personal experience, I can't recommend by any means this execrable piece of junk. And the worst thing of all is that What to Expect When You're Expecting establishes an unfortunate precedent to the adaptations of more books lacking of story. I can already imagine some Hollywood screenwriter trying to write "Handbook of iPhone: The Movie"...Katherine Heigl and Ashton Kutcher are two linguistic geniuses who meet each other playing Words with Friends; they hate each other on the beginning, but their rivalry becomes into a romance; Julia Roberts and Bradley Cooper accidentally exchange telephones at a café, and they attempt to meet each other following the dates of their respective calendars; when they finally meet, they feel they know each other so well that they decide to get married; Patrick Dempsey is a lawyer who sends an innocent text message to the judge Halle Berry, but the "auto correct" acts up and makes it a sexually suggestive message; the judge makes him arrest, and the lawyer must defend his innocence at court...even though that will mean revealing his love for Berry; and finally, Robin Williams starts a trial for the State to recognize his marriage to Zooey Deschanel. The problem? Williams ends up falling in love with his lawyer Jennifer Garner, and Deschanel becomes so jealous that she will make Garner's life impossible.
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