Left for dead on a sun-scorched planet, Riddick finds himself up against an alien race of predators. Activating an emergency beacon alerts two ships: one carrying a new breed of mercenary, the other captained by a man from Riddick's past.
Mortal hero Bek teams with the god Horus in an alliance against Set, the merciless god of darkness, who has usurped Egypt's throne, plunging the once peaceful and prosperous empire into chaos and conflict.
When Mother Malkin, the queen of evil witches, escapes the pit she was imprisoned in by professional monster hunter Spook decades ago and kills his apprentice, he recruits young Tom, the seventh son of the seventh son, to help him.
The wanted criminal Riddick arrives on a planet called Helion Prime, and finds himself up against an invading empire called the Necromongers, an army that plans to convert or kill all humans in the universe.
Veteran-turned-mercenary Toorop takes the high-risk job of escorting a woman from Russia to America. Little does he know that she is host to an organism that a cult wants to harvest in order to produce a genetically modified Messiah.
The modern world holds many secrets, but the most astounding secret of all is that witches still live amongst us; vicious supernatural creatures intent on unleashing the Black Death upon the world. Armies of witch hunters battled the unnatural enemy across the globe for centuries, including Kaulder, a valiant warrior who managed to slay the all-powerful Queen Witch, decimating her followers in the process. In the moments right before her death, the Queen curses Kaulder with her own immortality, forever separating him from his beloved wife and daughter in the afterlife. Today Kaulder is the only one of his kind remaining, and has spent centuries hunting down rogue witches, all the while yearning for his long-lost loved ones. However, unbeknownst to Kaulder, the Queen Witch is resurrected and seeks revenge on her killer causing an epic battle that will determine the survival of the human race. Written by
In real life, Dolan is the surname of the Archbishop of New York City. See more »
Spoilers - Incorrectly regarded as goofs: When Dolan 37th calls Kaulder to say that "Dolan the 36th passed away peacefully last night" and "The ceremony will be tomorrow" is clearly the day after Kaulder, and later, Dolan 37th, visited with Dolan 36th, the night he dies. Now he can only be referring to the funeral ceremony in this call. The question then seems to be, what is the ceremony we cut to immediately after the call? This is the ceremony installing Dolan 37th as the next Dolan, even though we see there is also a closed casket there. The only things we see and hear going on at this ceremony are directly related to Dolan 37th testifying that he is worthy of the job, promising to always help Kaulder, and ending with him being branded on his arm. After that he goes outside and joins Kaulder who seems to have left before this ceremony was completed. Since we neither see nor hear anything having to do with a "funeral" ceremony we can assume that it will still take place tomorrow, as Dolan 37th said to Kaulder, and the body is simply lying in repose until then. Therefore, when they leave and go to Dolan 36th's apartment and Kaulder's statement to Dolan 37th "You were here last night, before he died, right?" is phrased correctly. See more »
I swear to you, every single mother and daughter, father and son taken from us by the Black Plague will be avenged. It is their Witch Queen who brought this curse upon our lands. And in her death lies our salvation. Be warned, brothers. She will never truly perish until her heart beats its last. Let fear be dead to us. There is no going back, for there is nothing to go back to.
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The Summit Entertainment logo appears on a parchment in ink, with the text is written in runic script before morphing into normal letters. See more »
This movie has garnered a lot of criticism, and to be honest, I'm a little surprised. The plot and CGI were good. The acting and casting was excellent. Some parts of the movie felt really similar to The Exorcist II (Boorman), and I appreciated the lucidity and metaphysics embedded in the plot. I felt like the scene changes and juxtaposing modern/mythical images did a good job of sliding the viewer into the otherworldliness of the script. Most of the criticism seemed to revolve around expectations of Vin Diesels performance. The Character is written tersely for a reason. Why do people expect someone to be Shakespeare, simply because they lived 800 years. That experience might make some people very quiet, and I found Vin Diesel's interpretation believable and appropriate. He isn't portrayed as a scholar or wizard: just a good man who happens to be cursed. Frankly, I don't think most of these people would have been happy with a 20 min monologue by Alan Rickman. The movie was a good fantasy/action movie with some clever plot elements and creative representations of traditional magical elements.
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