Following the assassination of President John F. Kennedy, First Lady Jacqueline Kennedy fights through grief and trauma to regain her faith, console her children, and define her husband's historic legacy.
A five-year-old Indian boy gets lost on the streets of Calcutta, thousands of kilometers from home. He survives many challenges before being adopted by a couple in Australia. 25 years later, he sets out to find his lost family.
Jackie is a portrait of one of the most important and tragic moments in American history, seen through the eyes of the iconic First Lady, then Jacqueline Kennedy. Jackie places us in her world during the days immediately following her husband's assassination. Known for her extraordinary dignity and poise, here we see a portrait of the First Lady as she fights to establish her husband's legacy and the world of "Camelot" that she created and loved so well. Written by
Fox Searchlight Pictures
Pablo Larraín found the film's music score surprising. "What I love about Mica (Composer Mica Levi), is that she understands that the image is one thing, sound is another, and music is another, and they should not be the same, in order to create a fourth idea. She creates very emotional music, music which, when you put it with images, makes for something very unpredictable, full of both existential terror, and beauty." See more »
The long views of the White House were actual views of the White House. But in the close up views of the north portico, with Jackie entering the car, it is obviously not the White House. There is too much heavy ornamentation on the wall and the doors and windows are not correct. And there are too many steps going down to the driveway, and the steps are too narrow. In reality there are only four steps down, and the steps stretch all the way across the portico. See more »
Mrs. Kennedy? They told me to come up. And I'm so sorry for your loss.
Have you read what they've been writing? Krock and Merriman and all the rest?
Yes, I have.
Merriman's such a bitter man. It's been just one week. Already they're treating him like some dusty old artifact to be shelved away. That's no way to be remembered.
And how would you like him remembered, Mrs. Kennedy?
You understand that I will be editing this conversation just in case I don't say exactly ...
[...] See more »
A Stunning, Psychological Portrait of Glamorous Trama
Throughout the history of cinema, there have been countless biopics of famous figures that deify their subjects and disregard faults in fear of tainting the idol they have so perfectly sculpted. In Jackie, however, Pablo Larrain subverts genre expectations in favor of a haunting psychological portrait of a woman caught in a terrifying piece of history. Famous images of Jacqueline Kennedy in her pink Chanel suit have lingered in the public's collective memory for years, but here, Larrain allows viewers to experience the week following JFK's assassination from the perspective of the woman who held his dying body in her arms. It's shot in an episodic, frantic format that replicates the psychological turmoil of post-traumatic stress as the line between past and present blurs. One ghostly scene in particular - soundtracked by Mica Levi's eerie score - follows Jackie as she wanders the White House in isolation, exploring various rooms and eventually falling asleep alone as a widow for the first time. The film's central performance by Natalie Portman will no doubt gain great attention for its dedication to every last nuance of Jackie Kennedy's mannerisms and voice, but the real success rests in Portman's relentless and layered conveyance of emotion throughout the film. She does not allow the iconic figure to become a one-dimensional reflection of the public's memory, but allows viewers to witness the conflicted feelings of nostalgia, grief, isolation, and tenacity that Kennedy experienced. The film successful solidifies the lingering of Kennedy's melancholic face as a fleeting vision set across the 60s horizon, luminous and bruised at once, but enduring through history.
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