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Jackie (2016)

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Following the assassination of President John F. Kennedy, First Lady Jacqueline Kennedy fights through grief and trauma to regain her faith, console her children, and define her husband's historic legacy.

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658 ( 127)
Nominated for 3 Oscars. Another 39 wins & 152 nominations. See more awards »

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Cast

Cast overview, first billed only:
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The Journalist
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Maud Shaw
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Storyline

Jackie is a portrait of one of the most important and tragic moments in American history, seen through the eyes of the iconic First Lady, then Jacqueline Kennedy. Jackie places us in her world during the days immediately following her husband's assassination. Known for her extraordinary dignity and poise, here we see a portrait of the First Lady as she fights to establish her husband's legacy and the world of "Camelot" that she created and loved so well. Written by Fox Searchlight Pictures

Plot Summary | Plot Synopsis

Taglines:

I want them to see what they have done to Jack.


Motion Picture Rating (MPAA)

Rated R for brief strong violence and some language | See all certifications »

Parents Guide:

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Details

Country:

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Language:

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Release Date:

2 December 2016 (USA)  »

Also Known As:

Džeki  »

Box Office

Budget:

$9,000,000 (estimated)

Opening Weekend:

$278,715 (USA) (2 December 2016)

Gross:

$13,958,679 (USA) (14 April 2017)
 »

Company Credits

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Technical Specs

Runtime:

Color:

| (some sequences)

Aspect Ratio:

1.66 : 1
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Did You Know?

Trivia

Jacqueline Kennedy was the one who left the White House alone, her children left fatherless. She had one final motivation that kept her standing in those final days. Ragged as her heart was, she relied on her ironclad will, to shape her husband's legacy in a way, that it could never come undone. She modelled his processional funeral after Abraham Lincoln's, and insisted he be buried at Arlington National Cemetery, and ensured the gravesite would have an eternal flame, modelled after the Tomb of the Unknown Soldier in Paris, France. These decisions became not only part of John's legacy, but also Jackie's lasting legacy, establishing her as the quintessential symbol of dignity and resolve, in the face of the most extreme circumstances. See more »

Goofs

Jackie puts a record on an "automatic changer" which should start playing the first track on the record. What is heard is Richard Burton singing the song "Camelot" which is the fifth track on the first side of the original Broadway cast recording. See more »

Quotes

[first lines]
The Journalist: Mrs. Kennedy? They told me to come up. And I'm so sorry for your loss.
Jackie Kennedy: Have you read what they've been writing? Krock and Merriman and all the rest?
The Journalist: Yes, I have.
Jackie Kennedy: Merriman's such a bitter man. It's been just one week. Already they're treating him like some dusty old artifact to be shelved away. That's no way to be remembered.
The Journalist: And how would you like him remembered, Mrs. Kennedy?
Jackie Kennedy: [stammering] I...
Jackie Kennedy: You understand that I will be editing this conversation just in case I don't say exactly ...
[...]
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Connections

Features A Tour of the White House (1962) See more »

Soundtracks

El cant dels ocells
Composed by Pau Casals
Published by Editorial de Música Boileau, S.L.
Courtesy of Sony Music Entertainment
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User Reviews

Mesmerizing, dreamlike, and powerful.
25 December 2016 | by (United States) – See all my reviews

I'm not really familiar with Pablo Larraín's work. I hadn't seen any of his other films prior to watching Jackie. And yet I was still very excited for it because it sounded like something that was absolutely my cup of tea. Hearing reports that Academy members weren't liking it very much, and then hearing exactly why (because it wasn't your usual biopic and seemed to be more "out there" than most biopics) just got me more excited. It didn't disappoint at all. It was basically everything I wanted it to be. One of the finest, truest character studies of the year, completely driven by explorations into Jackie Kennedy's psyche. That sounds kind of pretentious, but I do think this film more than any other of the year deserves to be described that way. I would absolutely not be surprised if the Academy doesn't go for this at all, but I do wish it was popping up in more critic awards than it has been. More than any other film of the year it rests completely on its lead actress. Portman is just completely engaging and mesmerizing, and she adds to the film's poetry-like storytelling. Having seen both Portman and Emma Stone, I would be surprised if they gave the Oscar to Stone simply because Portman is basically her entire film and she's also completely immersed into the character in a way that Stone doesn't need to be. The latter's role may just be too light. Regardless, it's a performance to be talked about and remembered.

I appreciate when I leave a film feeling as though there's still so much left to unpack and to uncover about it, meaning that I wasn't able to completely discover all of its aims and goals in one viewing. To me that's the sign of a very well thought out film, a film that will leave a lingering impact. That's exactly how I came out of this. I'm sure not everyone here will take to it, but count me as one of its fans.


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