Since her castle, the little Sophie can not resist the temptation of the forbidden and what she loves most is to do stupid things with her cousin Paul. When her parents decide to join ... See full summary »
Baran, a Kurdish independence war hero, is now sheriff in Erbil, the capital city. No longer feeling useful in this society now at peace, he thinks about quitting the police force, but ... See full summary »
In Paris' cosmopolitan and colorful 10th arrondissement, Philippe, who's fresh out of prison, crosses paths with Avdal, a Kurd who is trying to track down an Iraqi war criminal. Avdal, who ... See full summary »
Two women get on the highway heading to Santa Fe. Marilyn dreams of winning a contest held by a famous belly dancing company, while her friend, Mona, has a secret: she's a fugitive from justice - accused of her mother-in-law's death.
In a war ridden country a woman watches over the husband reduced to a vegetable state by a bullet in the neck, abandoned by Jihad companions and brothers. One day, the woman decides to say things to him she could never have done before.
Nada is going home. Or at least she wants to. When she comes back to Lebanon, she realizes she's a foreigner in her own country. But there's still a place she calls home: an abandoned house in ruins, haunted by the presence of her grandfather who disappeared mysteriously during the civil war. Something happened in this house. Something violent. A young woman searching for the truth and discovering herself. Written by
This is a much better film than I thought it would be, and I came in with high expectations. First of all: don't worry about an Irani playing an Arab, it works. It really works. Golshifteh Farahani is a stunning beauty and an even better actress, her performance in this film is one for the ages. This is a much more universal film than its simple setting in a Lebanese village. Complex and multi-layered; touching upon immigration, the inconsistencies of memory as well as the longer term effects of a civil war on all that came under its sway. It was nice to find out that my favorite moment in the film was the director's as well. I suspect that a number of friends who were also in attendance are wondering if we saw the same film, we likely didn't. Those who get the immense sadness of the title (which is absolutely brilliant, something I almost never say about a title), please find a way to see this film. There are heartbreaking and painful parts; but there is "that moment", one of those that make film my favorite art form.
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