5.2/10
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92 user 135 critic

By the Sea (2015)

Trailer
1:37 | Trailer

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A couple tries to repair their marriage while staying at a hotel in France.

Director:

(as Angelina Jolie Pitt)

Writer:

(as Angelina Jolie Pitt)
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Popularity
2,260 ( 391)
1 win & 2 nominations. See more awards »
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Cast

Cast overview, first billed only:
...
...
Vanessa (as Angelina Jolie Pitt)
...
Lea
...
...
...
Marika Green ...
Dress Shop Saleswoman
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Grocery Clerk
Aldo Buontempo ...
Fisherman
Philippe Martinet ...
Maitre D'
Francis Xuereb ...
Hotel Receptionist
Malcolm Beethans ...
Older Couple
Kathleen Beethans ...
Older Couple
Bjorn Kubin ...
Fancy Couple at Café
Penny Dix ...
Fancy Couple at Café
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Storyline

Set in France during the mid-1970s, Vanessa, a former dancer, and her husband Roland, an American writer, travel the country together. They seem to be growing apart, but when they linger in one quiet, seaside town they begin to draw close to some of its more vibrant inhabitants, such as a local bar/café-keeper and a hotel owner. Written by Production

Plot Summary | Add Synopsis

Taglines:

When we die on the inside, the outside is left wandering dangerously by the sea.

Genres:

Drama | Romance

Motion Picture Rating (MPAA)

Rated R for strong sexuality, nudity, and language | See all certifications »

Parents Guide:

 »
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Details

Country:

| |

Language:

| |

Release Date:

9 December 2015 (France)  »

Also Known As:

Frente al mar  »

Filming Locations:

 »

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Box Office

Budget:

$10,000,000 (estimated)

Opening Weekend USA:

$96,250, 15 November 2015, Limited Release

Gross USA:

$531,009, 6 December 2015
See more on IMDbPro »

Company Credits

Show more on  »

Technical Specs

Runtime:

Color:

Aspect Ratio:

2.39 : 1
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Did You Know?

Trivia

Angelina Jolie will direct Brad Pitt and Mélanie Laurent who both featured in Inglourious Basterds (2009). See more »

Goofs

During one of his drinking binges, Roland (Brad Pitt) knocks his shot glass off the counter, and clumsily wipes up the mess. During the following conversation with the bartender, the shot glass is missing, then reappears on the counter in front of Roland, then is missing again. See more »

Quotes

Roland: Is that what you want? To be unknown by someone?
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Crazy Credits

The film opens with the early 1970's Universal Pictures logo. See more »

Connections

Referenced in The Chase Australia: Episode #2.74 (2016) See more »

Soundtracks

Nothing Can Change This Love
Written & Performed by Sam Cooke
Courtesy of ABKCO Music & Records, Inc. and RCA Records
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User Reviews

 
Turgid and borrowed
2 December 2015 | by See all my reviews

The notes of Chopin's Prelude in E Minor at the end neatly summarizes this stale, borrowed and unoriginal film. That prelude is so over used as to be a calling card of sophomore sensibility. Then again, it fits perfectly within the overdone story: the Midi of France, of exile and difference, of finding some true self in a marriage, and of the libido and voyeurism.

The dramatic conceit - if it has one - is owed in part to Godard's "Contempt": the hat that Pitt wears is like Piccoli's in the 1963 film; a struggling writer too, together with the marriage that suffers from some tacit fault line which only the wife knows and can cure.

In "Contempt" it had another cause, in this project it is some delusion which has struck the writer in the vain belief that she can write, and consequently serve a thread of scenes which can be presented as a film.

The first half is turgid and requires some intrigue to hold attention, but instead the audience has the face of Jolie pouting behind huge sunglasses and a Bardot-style brimmed hat with the sulking expression of a 3 year old. Pitt takes over in this portion of the film and drinks heavily and mumbles French. Going to the bar is preferable to the hotel and his wife.

In the second hour the movie wakes up but seems entangled, for no other reason, in a "menage a quatre", to give it some plot and direction. It falls apart quickly though because the writing is inane. Locations, sun and sea, and some unshaven locals fill in the running time, but to be realistic, it hasn't fulfilled anything and it's been pointless.

Then Chopin's prelude is added to the closing images and we comprehend the full mediocrity of the vision.


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