The adventures of Gustave H, a legendary concierge at a famous hotel from the fictional Republic of Zubrowka between the first and second World Wars, and Zero Moustafa, the lobby boy who becomes his most trusted friend.
F. Murray Abraham,
An aspiring author during the civil rights movement of the 1960s decides to write a book detailing the African American maids' point of view on the white families for which they work, and the hardships they go through on a daily basis.
Aspiring actress serves lattes to movie stars in between auditions and jazz musician Sebastian scrapes by playing cocktail-party gigs in dingy bars. But as success mounts, they are faced with decisions that fray the fragile fabric of their love affair, and the dreams they worked so hard to maintain in each other threaten to rip them apart. Written by
Damien Chazelle: [song] The song "When I Wake" by Justin Hurwitz was first featured in the movie Whiplash (2014), with the two main characters listening to the song while out on a date. The same thing happens in La La Land as the song is featured in the background while Sebastian and Mia are talking about jazz - exactly the same topic the two characters from Whiplash were discussing. See more »
At the Warner Brothers Lot, after Sebastian asked Mia if she was doing anything that night, the shot that focuses on Mia is flipped. See more »
Maybe I'm not good enough!
Yes, you are.
Maybe I'm not! It's like a pipe dream.
This is the dream! It's conflict and it's compromise, and it's very, very exciting!
See more »
There is a title card at the very beginning that says "Filmed in CinemaScope." See more »
What a great movie! Who would have thought anyone could bring the original screen musical back from the dead? Yet here it is, hale and hearty.
The music is melodic but never simplistic; the lyrics are intelligent and intelligible; the script is funny, touching without ever resorting to sentimentality; the two leads are not only skillful but full of a kind of charm that I honestly thought had disappeared entirely from American movies: but here we have Ryan Gosling and Emma Stone just oozing it.
The only pebbles in this ocean of inventiveness are some routine dance routines and over-reliance on the device of lights dimming on set to isolate an actor in white light, but that's me being r-e-a-l-l-y picky. It may well be that this is the best musical written directly for the screen since SEVEN BRIDES FOR SEVEN BROTHERS.
All credit to writer-director Damien Chazelle and his team - and it really feels like a team-movie - for giving us this gem. Sure it's a feelgood piece, but it creates a world which is complex, it acknowledges alternative outcomes for its characters, it connects with people's passions, and in the case of Ms Stone's big solo, "Audition", it has a bona fide classic.
180 of 349 people found this review helpful.
Was this review helpful to you?