During the early days of World War II, the fate of Western Europe hangs on the newly-appointed British Prime Minister Winston Churchill, who must decide whether to negotiate with Hitler, or fight on against incredible odds.
Set over one summer, the film follows precocious six-year-old Moonee as she courts mischief and adventure with her ragtag playmates and bonds with her rebellious but caring mother, all while living in the shadows of Disney World.
Within days of becoming Prime Minister of Great Britain, Winston Churchill (Gary Oldman) must face one of his most turbulent and defining trials: exploring a negotiated peace treaty with Nazi Germany, or standing firm to fight for the ideals, liberty and freedom of a nation. As the unstoppable Nazi forces roll across Western Europe and the threat of invasion is imminent, and with an unprepared public, a skeptical King, and his own party plotting against him, Churchill must withstand his darkest hour, rally a nation, and attempt to change the course of world history. Written by
Gary Oldman told the BBC in an interview that he felt playing Churchill had to be more of a creation than an impersonation and he tried not to be influenced by previous acclaimed screen versions of him, citing in particular those by Albert Finney and Robert Hardy. See more »
Churchill says Edward Wood, 3rd Viscount Halifax would never have turned down the offer to be prime minister as he was the fourth son of an earl. However, Halifax was the son of a viscount, not an earl, a mistake that Winston Churchill would not have made. Edward Wood was made 1st Earl of Halifax in 1944. Though he was indeed the youngest of four sons, all his brothers died young. From the age of 8 years old, he was his father's sole heir, and thus he would not have grown up feeling deprived of a dignity by order of birth, as is implied in the dialogue. See more »
At the Paris Theater premiere in NYC last night, Joe Wright concluded his introduction by saying, "This is a film about resistance." That brought immediate and enthusiastic response from the crowd. Oldman gives a stunning performance, but the entire ensemble is clearly caught up in the relevance of the work, not a false note anywhere. Powerful film celebrating Churchill as in touch with the resilience and grit of working class commoners. The villains here are the snobbish pacifist appeasers. Hard to say what American audiences will make of this. It could go either way. There's enough populist ammunition here to leave a huge chunk of the American political landscape as devastated as the castle in Calais.
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