When their headquarters are destroyed and the world is held hostage, the Kingsman's journey leads them to the discovery of an allied spy organization in the US. These two elite secret organizations must band together to defeat a common enemy.
When the network of satellites designed to control the global climate starts to attack Earth, it's a race against the clock to uncover the real threat before a worldwide Geostorm wipes out everything and everyone.
Imprisoned, the almighty Thor finds himself in a lethal gladiatorial contest against the Hulk, his former ally. Thor must fight for survival and race against time to prevent the all-powerful Hela from destroying his home and the Asgardian civilization.
After the Kingsman headquarters are blown up by a psychotic criminal named Poppy Adams, the surviving agents find their way to an allied secret organisation based in Kentucky, named Statesman. The two agencies must now work together in order to save the world and take down the so called 'Golden Circle'. Written by
The original cut of the movie had total runtime of 3 hours and 40 minutes. The movie had so many added scenes during production that FOX even asked director Matthew Vaughn if he wanted to split the movie into two separate movies. Vaughn shot that idea down and edited it down to 2 hours and 21 minutes. The movie is expected to have an extended cut on Blu Ray. See more »
While ski lift accident sequence happens, after the two track ropes and single hauling rope snap this would cause the second cabin which should have been speeding up to the mountain station, also roll down on the track cables towards lower station but eventually would be stopped by the emergency brakes. The movie ignores the factual existence of the second cabin, thus making the scene technically unrealistic. See more »
Now go on and save the world.
If I save the world, will you get me two tickets to your next concert?
Darling, if you save the world, I'll get you a backstage pass.
See more »
The "Take Me Home, Country Road" musical theme is heard over the opening logo. This foreshadows the song being used at a pivotal moment in the film. See more »
Sequel tries to recapture lightning of original, gets lesser but still fun product
This movie feels familiar, and on two counts it is.
The Golden Circle is the sequel to the unexpected success story Kingsman: The Secret Service, which was a humorous satire of spy movie tropes with serious undertones mixed in. It knew when to be serious and when to be so serious it was funny. That, combined with some excellent cinematography, made The Secret Service a thoroughly enjoyable film.
The Golden Circle has all of these things as well, but while still fun it just comes off feeling like a lesser imitation of the original.
Which is where the second count of familiarity comes in: 2017 had another one of these sequels repeat the same formula with lesser results, namely Guardians of the Galaxy Vol. 2. Curiously, both original films (Kingsman: The Secret Service and Guardians of the Galaxy) premiered in 2014 with both sequels coming out this year.
Now, that's not to say that Guardians Vol. 2 wasn't fun, and The Golden Circle has plenty of fun as well.
The film finds the Kingsman on the receiving end of a ruthless Julianne Moore as Poppy, a leader of a drug cartel who wants all drugs to be legalized. Her leverage: her drugs will kill all of its users, of which there are hundreds of millions worldwide. With the Kingsmen's UK resources destroyed, it's up to Taron Egerton's Eggsy and Mark Strong's Merlin to team up with the Statesmen, the US intelligence service featuring Jeff Bridges's Champ, Channing Tatum's Tequila, and Halle Berry's Ginger Ale.
There are fast-paced, well-shot action scenes throughout, as with the original Kingsman, the standout being the taxi chase at the beginning. The dialogue is fun, but it hits a few sour notes along the way, especially in its parodying of a certain political figure which comes off as ham-fisted and forced.
The pacing of this film is a problem. At 2 hours 21 minutes, it definitely feels too long, especially when there are one too many big set pieces that feel like they should be the stage for the finale but end up being not.
Finally, there's a right way and a wrong way to do callbacks to the previous film in a sequel. It's OK to be overt, as long as it's balanced with other, more subtle references as well. Unfortunately, The Golden Circle tends to pound you over the head with callbacks, including literally splicing in footage from the first film in reference to characters who are supposed to be important, but for the life of me you can't possibly remember where they popped up in the first film unless you watch it right before seeing this one.
Overall, I would say that there is nothing truly objectionable about this film (although throwing in lots of F-Bombs doesn't automatically equal comedy), but this film may just serve as a reminder of a much more solid film that came before it rather than standing on its own merits.
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