The Animation Show of Shows returns to theaters across North America this fall, presenting 16 exceptional and inspiring animated shorts from around the world. At a time of increasing social... See full summary »
With the intention to break free from the strict familial restrictions, a suicidal young woman sets up a marriage of convenience with a forty-year-old addict, an act that will lead to an outburst of envious love.
Katja's (Diane Kruger) had met Turkish-born Kurdish Nuri Sekerci (Numan Acar) when she bought hashish from him during her student days. They got married when he was still in prison, although their parents were against the marriage. Since her son Rocco (Rafael Santana) is born, Nuri is no longer working as a drug dealer, because he studied business administration in prison and now runs a translation and tax office in Hamburg. One day Rocco and Nuri are killed by a nail bomb, which was deposited in front of the office. This has shredded everything. Because her husband was in prison for drug possession, the police investigated in the red light district. The investigators do not see that the tracks point in a completely different direction. Then they happen to be the real killers on the net. The main suspects are the neo-Nazi spouses André (Ulrich Brandhoff) and Edda Möller (Hanna Hilsdorf). But the trial is developing differently than Katja had hoped. Although her lawyer Danilo (Denis ... Written by
After a woman's husband and son die in a bomb attack, her life collapses and she must come to terms with injustice in what is another film about xenophobia, reconciliation and ultimately European identity by German- Turkish writer/director Faith Akin. Diane Kruger delivers a powerhouse performance as she gives her character enough emotional depth without overdoing it to bring her grief and anger to life. Inspired by xenophobic murders in Germany by a neo-Nazi group, the film sets out with good premise, starts strong but then falls into familiar narrative territory before concluding with an ending that would dissatisfy some audiences. It labels itself as a political film but doesn't have a solid stab for it to deliver in what is otherwise an entertaining, sometimes intense picture.
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