10 items from 2017
As of today, the 53rd Chicago International Film Festival will continue to push daring and worthy new films into the awards spotlight. Running Oct. 12–26, this year’s festival will open with director Reginald Hudlin’s “Marshall” (distributed by Open Road), starring Sterling K. Brown, Kate Hudson, Josh Gad, and producer-star Chadwick Boseman as the titular Supreme Court justice. Greta Gerwig’s “Lady Bird” (A24), starring Saoirse Ronan and Laurie Metcalf, will serve as the fest’s centerpiece event after its premiere at the 2017 Toronto International Film Festival. The closing night film will be another anticipated awards contender: Guillermo del Toro’s “The Shape of Water” (Fox Searchlight Pictures) starring Sally Hawkins, Michael Shannon, and Octavia Spencer. Those following this year’s festival season favorites will also recognize Ruben Östlund’s “The Square” which took home the Palme d’Or at this year’s Cannes Film Festival back in May with »
One of the most celebrated movies at this year’s Cannes Film Festival has found a home. “In the Fade,” the German-language drama starring Diane Kruger as a woman who deals with the tragic aftermath of the murder of her family, has sold North American right to Magnolia Pictures, Variety has learned.
Awards season prognosticators had been wondering if the movie will open in time for Kruger to qualify for this fall’s best actress race. It will, as Magnolia is planning a year-end theatrical release for “In the Fade” along with an Oscar campaign for its star, best known for her roles in “Inglourious Basterds” and the TV series “The Bridge.” Many critics called “In the Fade” her best performance yet.
“Diane Kruger’s performance in ‘In the Fade’ is one »
- Ramin Setoodeh
Exclusive: Agnes Varda doc, Hungarian Competition title get UK deals.
UK arthouse stalwart Curzon Artificial Eye has beefed up its slate with the acquisition of two further Cannes titles.
The company has picked up revered Belgian director Agnes Varda’s latest film Faces Places (Visages Villages), which premiered as a special screening. The film is a documentary road-trip in which she travels through rural France with photographer/muralist Jr.
Screen’s Cannes review called the documentary a “heartwarming road trip”.
Curzon has also moved for Kornél Mundruczó’s Hungarian-German co-production Jupiter’s Moon, which premiered In Competition at Cannes this year. The film follows a young Syrian refugee who is shot down while illegally crossing the border. Terrified and in shock, the wounded man can now mysteriously levitate at will. Thrown into a refugee camp, he is smuggled out by a doctor intent on exploiting his extraordinary »
- firstname.lastname@example.org (Tom Grater)
'In the Fade' with Diane Kruger: Fatih Akin's German-language Avenging Woman drama may give its star the chance to become next awards season Isabelle Huppert. Diane Kruger: 2017–2018 awards season's Isabelle Huppert? The 2003 Cannes Film Festival's Female Revelation Chopard Trophy winner, Diane Kruger was Cannes' 2017 Best Actress winner for Fatih Akin's In the Fade / Aus dem Nichts. If Akin's German drama finds a U.S. distributor before the end of the year, Kruger could theoretically become the Isabelle Huppert of the 2017–2018 awards season – that is, in case the former does become a U.S. critics favorite while we stretch things a bit regarding the Kruger-Huppert commonalities. Just a bit, as both are European-born Best Actress Cannes winners who have been around for a while (in Huppert's case, for quite a while). Perhaps most importantly, like Huppert in Paul Verhoeven's Elle, Kruger plays a woman out for revenge in In the Fade. Diane Kruger-Isabelle Huppert 'differences' There is, however, one key difference between the two characters: in Elle, Huppert wants to avenge her own rape; in In the Fade, Kruger wants to avenge the death of her Turkish husband (Numan Acar) and their son (Rafael Santana) at the hands of white supremacist terrorists. Another key difference, this time about the Kruger-Huppert Cannes Film Festival connection: although Isabelle Huppert became a U.S. critics favorite – and later a Best Actress Oscar nominee – for her performance in Elle, her (unanimous) Best Actress Cannes win was for another movie, Michael Haneke's The Piano Teacher / La pianiste back in 2001. At that time, Huppert also became a U.S. critics favorite (winning Best Actress honors in San Diego and San Francisco; a runner-up in Los Angeles and New York), but, perhaps because of the psychological drama's sexually charged nature, she failed to receive a matching Oscar nod. Last year's Cannes Best Actress, by the way, was Jaclyn Jose for Brillante Mendoza's Philippine drama Ma' Rosa. Huppert had been in contention as well, as Elle was in the running for the Palme d'Or. Diane Kruger Best Actress Oscar nomination chances? A Best Actress nomination for Diane Kruger at the German Academy Awards (a.k.a. Lolas) – for her first German-language starring role – is all but guaranteed. Curiously, that would be her first. As for a Best Actress Oscar nod, that's less certain. For starters, unlike the mostly well-reviewed Elle, In the Fade has sharply divided critics. The Hollywood Reporter, for one, summarized Akin's film as a “thriller made riveting by an emotional performance from Diane Kruger,” while The Guardian's Peter Bradshaw called it a “mediocre revenge drama” with “a not particularly good” star turn. Besides, since the year 2000 just one “individual” Best Actress Cannes winner has gone on to receive an Oscar nomination for the same performance: Rooney Mara*, who, though one of the two leads in Todd Haynes' Carol (2011), was shortlisted in the Oscars' Best Supporting Actress category so as not to compete with her co-star and eventual Best Actress nominee Cate Blanchett. Then there's the special case of Penélope Cruz; the 2006 Best Actress Oscar nominee – for Pedro Almodóvar's Volver – was a Cannes winner as part of that family comedy-drama ensemble†. And finally, despite their Cannes Best Actress win for performances in (at least partly) English-language films, no less than seven other actresses have failed to be shortlisted for the Academy Awards this century. Björk, Dancer in the Dark (2000). Maggie Cheung, Clean (2004). Hanna Laslo, Free Zone (2005). Charlotte Gainsbourg, Antichrist (2009). Juliette Binoche, Certified Copy (2010). Kirsten Dunst, Melancholia (2011). Julianne Moore, Maps to the Stars (2014). Coincidentally, that same year Moore starred in Still Alice, which eventually earned her the Best Actress Oscar. Warner Bros. will be distributing In the Fade in Germany later this year. Regarding the Oscars, whether late in 2017 or late in 2018, seems like it would be helpful if Diane Kruger got a hold of Isabelle Huppert's – and/or Marion Cotillard's and Jean Dujardin's – U.S.-based awards season publicists. * Rooney Mara shared the 2011 Cannes Film Festival Best Actress Award with Emmanuelle Bercot for My King / Mon roi. † Also in the Cannes-winning Volver ensemble: Carmen Maura, Lola Dueñas, Blanca Portillo, Chus Lampreave, and Yohana Cobo. 'The Beguiled' trailer: Colin Farrell cast in the old Clint Eastwood role in Sofia Coppola's readaptation of Civil War-set, lust & circumstance drama. Sofia Coppola ends Cannes female drought About 13 years ago, Sofia Coppola became the first American woman to be shortlisted for the Best Director Academy Award – for the Tokyo-set drama Lost in Translation, starring Bill Murray and Scarlett Johansson. Coppola eventually lost in that category to Peter Jackson for the blockbuster The Lord of the Rings: The Return of the King, but she did take home that year's Best Original Screenplay Oscar statuette. There haven't been any other Oscar nominations since, but her father-daughter drama Somewhere, toplining Stephen Dorff and Elle Fanning, was the controversial Golden Lion winner at the 2010 Venice Film Festival. This year, Coppola has become only the second woman to win the Cannes Film Festival's Best Director Award – for The Beguiled, an American Civil War-set drama based on Thomas P. Cullinan's 1966 novel of the same name (originally published as A Painted Devil). With shades of Rumer Godden's Black Narcissus, The Beguiled follows a wounded Union soldier as he finds refuge at a girls' boarding school in Virginia. Sexual tension and assorted forms of pathological behavior ensue. Tenuous Cannes-Oscar Best Director connection From 2000 to 2016, 20 filmmakers† have taken home the Cannes Film Festival's Best Director Award. Of these, only four have gone on to receive matching Best Director Oscar nominations – but no wins: David Lynch, Mulholland Dr. (2001). Alejandro González Iñárritu, Babel (2006). Julian Schnabel, The Diving Bell and the Butterfly (2007). Bennett Miller, Foxcatcher (2014). Four other Cannes Best Director winners were bypassed by the Academy even though their movies featured – at least a sizable chunk of – English-language dialogue: Joel Coen, The Man Who Wasn't There§ (2001). Paul Thomas Anderson, Punch-Drunk Love (2002). Gus Van Sant, Elephant (2004). Nicolas Winding Refn, Drive (2011). In other words, a Best Director Cannes Film Festival win is no guarantee of a Best Director Academy Award nomination. Ultimately, Sofia Coppola's chances of an Oscar nod in the Best Director category depend on how well The Beguiled is received among Los Angeles and New York film circles, and how commercially successful – for an “arthouse movie” – it turns out to be. † During that period, there were three Cannes Film Festival Best Director ties: 2001: Joel Coen for The Man Who Wasn't There§ & David Lynch for Mulholland Dr. 2002: Im Kwon-taek for Painted Fire & Paul Thomas Anderson for Punch-Drunk Love. 2016: Cristian Mungiu for Graduation & Olivier Assayas for Personal Shopper. Both films opened in the U.S. in spring 2017 and may thus be eligible for the upcoming awards season. § Ethan Coen co-directed The Man Who Wasn't There, but didn't receive credit in that capacity. 'The Beguiled' with Nicole Kidman. The Best Actress Oscar winner ('The Hours,' 2002) had two movies in the Cannes Film Festival's Official Competition; the other one was 'The Killing of the Secret Deer,' also with Colin Farrell. Moreover, Kidman was the recipient of Cannes' special 70th Anniversary Prize. 'Sly' & 'elegant' Also adapted by Sofia Coppola, The Beguiled will be distributed in the U.S. by Oscar veteran Focus Features (Brokeback Mountain, The Danish Girl). The film has generally received positive notices – e.g., “sly” and “elegant” in the words of Time magazine's Stephanie Zacharek – and could well become a strong awards season contender in various categories. The cast includes The Killing of a Sacred Deer actors Nicole Kidman and Colin Farrell, in addition to Kirsten Dunst (the star of Coppola's Marie Antoinette), Somewhere actress Elle Fanning, Oona Laurence, Addison Riecke, Angourie Rice, and Emma Howard. As an aside, Cullinan's novel also served as the basis for Don Siegel's The Beguiled (1971), a Southern Gothic effort adapted by Irene Kamp and former Hollywood Ten member Albert Maltz. In the cast of what turned out to be a major box office flop: Clint Eastwood, Geraldine Page, Elizabeth Hartman, and Jo Ann Harris. Women directors at Cannes & the Oscars For the record, Soviet filmmaker Yuliya Solntseva was the Cannes Film Festival's first Best Director winner, for The Story of the Flaming Years back in 1961. The only woman to have directed a Palme d'Or winner is Jane Campion, for The Piano (1993). Early in 1994, Campion became the second woman to be shortlisted for an Academy Award in the Best Director category. The first one was Lina Wertmüller for Seven Beauties (1976). 'A Gentle Night' & 'Montparnasse Bienvenue' Qiu Yang's short film Palme d'Or winner A Gentle Night should be automatically eligible for the 2018 Academy Awards. But competition, as usual, will be fierce. In the last decade, the only short film Palme d'Or winner to have received an Oscar nomination is Juanjo Giménez Peña's Timecode (2016), in the Best Live Action Short Film category. This article was originally published at Alt Film Guide (http://www.altfg.com/). »
- Steph Mont.
Diane Kruger won the Best Actress Award at the Cannes Film Festival for her performance in German-language drama Aus dem Nichts (In The Fade). Diane Kruger Wins Best Actress Award At Cannes The 40-year-old took home the prestigious prize for the film, directed by Fatih Akin. Her ex-husband Joshua Jackson gushed about his pride for his ex in […]
The post Diane Kruger Wins Best Actress Award At Cannes, Has To Get Tattoo After Losing Bet appeared first on uInterview. »
- Hillary Luehring-Jones
UK art-house kingpin Curzon Artificial Eye has locked up a further four Cannes titles bringing its current haul from the festival to a mighty 10 movies.
New to the slate are Claire Denis’ Let The Sunshine In (Un Beau Soleil Interieur), joint winner of the Sacd award in Directors’ Fortnight, Laurent Cantet’s well-received The Workshop (L’Atelier), Léonor Serraille’s Camera d’Or winner Young Woman (Jeune Femme) and Rungano Nyoni’s striking Directors’ Fortnight entry I Am Not A Witch.
As previously announced the distributor has acquired Palme d’Or winner The Square, Grand Prix winner 120 Beats Per Minute, best screenplay winner The Killing Of A Sacred Deer, Fatih Akin’s Competition drama In The Fade (Aus Dem Nichts), for which Diane Kruger won the best actress prize, Michael Haneke’s Happy End and Francois Ozon’s L’Amant Double.
- email@example.com (Andreas Wiseman)
As we pass the halfway mark, several new developments of the Cannes International Film Festival seem to have more importance in some ways than the traditional Films in Competition which so far are “interesting” if lacking a bit in luster…
A jury of international critics gathered together by the top international trade paper, Screen International, keeps its own score of the 20 Competition Films as does Film Francais whose critics are all French. Thus far 13 have screened and on a scale of 4 (Excellent) to 0 (Bad), Screen’s highest scoring film so far is 3.2 for the French-Russian coproduction “Loveless” about a bitterly out-of-love couple going through a divorce who must team up to find their son who has disappeared during one of their brutal arguments. Directed by Andrey Zvyagintsev and funded independently because the Russian government so disliked his 2014 Competition Film, “Leviathan” ( for which it had put up 35% of the funding), that »
- Sydney Levine
29 May 2017 7:13 AM, PDT | The Hollywood Reporter - Movie News | See recent The Hollywood Reporter - Movie News news »
Diane Kruger might be taking more home from Cannes than just an award.
The German star, who won best actress at the French film festival on Sunday for her performance in In the Fade, may also have to to make room for some ink.
According to In the Fade director Fatih Akin, Kruger made a bet with him months ago that their film would never make it to competition in Cannes, much less win an award. If it did, Kruger agreed she'd get a traditional anchor tattoo, done in Akin's home town of Hamburg, Germany.
Speaking to »
- Scott Roxborough
Last night, the jury of the 70th Festival de Cannes awarded the prestigious Palme d’Or to Ruben Östlund’s comedy drama The Square. The film, which boasts the likes of Domic West and Elizabeth Moss amongst its cast, as well as a stunning lead performance by Claes Bang, beat off competition from the likes of Sofia Coppola’s The Beguiled, Lynn Ramsay’s You Were Never Really Here and 120 Battements Par Minute (Bpm – Beats Per Minute), all of which were hotly tipped to take the top gong.
All of those movies did walk away with some kind of recognition, 120 Battements Par Minute (Bpm – Beats Per Minute) taking the Grand Prix, Sofia Coppola taking the Best Director prize for The Beguiled and You Were Never Really Here Best Performance By An Actor for Joaquin Phoenix and Best Screenplay, a prize shared with Yorgos Lanthimos’ superb The Killing Of A Sacred Deer. »
- Paul Heath
Full list of winners below:
Jeune Femme (Léonor Sérraille)
Best Short Film
A Gentle Night (Qui Yang)
Short Film Special Mention
70th Anniversary »
- firstname.lastname@example.org (Orlando Parfitt)
10 items from 2017
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